The Well-tempered Clavier (Book I): Prelude and Fugue No. 10

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  • The Well-Tempered Clavier, Book I (Highlights): Prelude and Fugue No. 10 in E Minor, BWV 855
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    • Musically, the structural regularities of the Well-Tempered Clavier encompass an extraordinarily wide range of styles, more so than most pieces in the literature. The preludes are also notable for their odd or irregular numbers of measures, in terms of both the phrases and the total number of measures in a given prelude. Each fugue is marked with the number of voices, from two to five.

    Most are three- and four-voiced fugues, and there are only two five-voiced fugues BWV and , and one two-voiced fugue BWV The fugues employ a full range of contrapuntal devices fugal exposition, thematic inversion, stretto , etc. Several attempts have been made to analyse the motivic connections between each prelude and fugue, [31] — most notably Wilhelm Werker [32] and Johann Nepomuk David [33] The most direct motivic reference appears in the B major set from Book 1, in which the fugue subject uses the first four notes of the prelude, in the same metric position but at half speed.

    Recordings

    In other projects Wikimedia Commons. Prelude in B minor. Fugue in three voices. Siloti's transcription, performed by Felipe Sarro. Bach may have tuned differently per occasion, or per composition, throughout his career.

    Both books of the Well-Tempered Clavier were widely circulated in manuscript, but printed copies were not made until , by three publishers almost simultaneously in Bonn, Leipzig and Zurich. But, with the maturing of the Classical style in the s, the Well-Tempered Clavier began to influence the course of musical history, with Haydn and Mozart studying the work closely.

    Mozart transcribed some of the fugues of the Well-Tempered Clavier for string ensemble: Bach's example inspired numerous composers of the 19th century, for instance in Chopin started composing his 24 Preludes, Op. In the 20th century Dmitri Shostakovich wrote his 24 Preludes and Fugues , an even closer reference to Bach's model. The best-known piece from either book is the first prelude of Book I. Anna Magdalena Bach copied a short version of this prelude in her Notebook No. Helmut Walcha , better known as an organist, recorded both books between and on a harpsichord.

    Anthony Newman has recorded it three times — twice on harpsichord and once on piano. As of , over recordings have been documented, [51] including the above keyboard instruments as well as transcriptions for ensembles and also synthesizers.

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    Prelude and Fugue in E minor, BWV , is the 10th prelude and fugue for keyboard (harpsichord) in the first book of The Well Tempered Clavier, composed in by Johann Sebastian Bach. The Prelude in E minor, BWV a, features as No. . Concert Thursday Next [advertisement]". Manchester Guardian ( ): 1. The Well-Tempered Clavier, BWV –, is a collection of two sets of preludes and fugues in . The C♯ major prelude and fugue in book one was originally in C major in all keys (although the music was not yet tonal in the modern sense of the word): .. Prelude also in WFB Klavierbüchlein, No. Praeludium [10].

    Harpsichord performances of various parts of Book I by Martha Goldstein are in the public domain. In March , the pianist Kimiko Douglass-Ishizaka released a new and complete recording of Book 1 into the public domain.

    From Wikipedia, the free encyclopedia. Played by Raymond Smullyan. Prelude and Fugue E major. Played by Randolph Hokanson. Prelude and Fugue B minor. Prelude in B minor.

    • Book I: Prelude and Fugue No. 10 in E Minor BWV on Spotify.
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    • Book I: Prelude and Fugue No. 10 in E Minor BWV 855.

    Books I and II, complete". The Definitive Guide to Classical Music.

    The Well-Tempered Clavier, Book I (Highlights): Prelude and Fugue No. 10 in E Minor, BWV 855

    Seven Generations of Creative Genius , pp. Oxford University Press, Thematisches Verzeichnis der musikalischen Werke. Labyrinthus musicus, Calculus musicus, facsimile of the manuscripts. Diapason Press, Utrecht, Scarecrow Press, Lanham, Md. Retrieved May 10, Kirnberger has more than once told me as well as others about how the famous Joh. Bach, during the time when the former was enjoying musical instruction at the hands of the latter, confided to him the tuning of his clavier, and how the master expressly required of him that he tune all the thirds sharp. Quoted in David, Hans T.

    Bach , Second Edition, Routledge, , p. Bach P at www.

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    Henle Verlag, , pp. Archived from the original on May 3, Archived from the original on 12 February Peter, The Symphonic Repertoire Volume 2. Mozart, Haydn and Early Beethoven: A Technical, Philosophic, and Historical Study , p. Compositions for organ , keyboard and lute by Johann Sebastian Bach.

    Bach Twelve Little Preludes. Retrieved from " https: Views Read Edit View history. In other projects Wikimedia Commons.

    Mix - Bach Prelude and Fugue No.10 (legato) Well Tempered Clavier, Book 1 with Harmonic Pedal

    This page was last edited on 30 August , at By using this site, you agree to the Terms of Use and Privacy Policy. Problems playing this file? List of transcriptions of compositions by Johann Sebastian Bach. Siloti, Prelude in B minor, measures 1—2.

    • Prelude and Fugue in E minor, BWV - Wikipedia.
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    Kleine Ausgabe, nach der von Wolfgang Schmieder vorgelegten 2. Preface in English and German. Lost in the Stars: Fifty Fourth Season, — Eighteenth Concert Thursday Next [advertisement]". Compositions for organ , keyboard and lute by Johann Sebastian Bach. Bach Twelve Little Preludes. Retrieved from " https: Views Read Edit View history. In other projects Wikimedia Commons. This page was last edited on 5 May , at By using this site, you agree to the Terms of Use and Privacy Policy.

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