Danca Amarosa

Additional Dance Types

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Saltarello 1 [Additional ] Principio di virtu [Additional ] Bartelloni, Gaspare Antonio , cane flute. Saltarello 2 [Additional ] Parlamento [Additional ] Chanconeta tedescha 1 [Additional ] In pro [Additional ] Chanconeta tedesca 3 [Additional ] Lamento di Tristano e Sua Rotto [Additional ] Anima Mundi Consort Artist s: Portions of content provided by Rovi Corporation.

Dan‡a Amorosa (CD, Apr-1996, Opus 111)

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Share your stories and reviews with other customers! The cast on that occasion included twelve men and women dressed in "Moorish" costumes and one woman dressed as a nun, all dancing to a song with the text "I don't want to be a nun. The later English " morris dance " is related to the moresca.

The word moresca also had the more general meaning of any unchoreographed or unsophisticated dance.

Rigoletto is best known as the name of the jester in Giuseppe Verdi 's opera by that name, which begins at a ball in sixteenth-century Mantua. In Prodenzani's description, the dance includes forward and backward jumps and some type of "waving" motion. Another bit of information about this dance comes from the text of a mid-fifteenth century lauda sacred song with the title "Chi vuol ballare a righoletto": That is, they engaged in much motion but did not get anywhere.

Although there is no more detailed description of the rigoletto dance steps, from these vague statements, as well as its use as a political criticism, we could speculate that the forward and backward jumps may not have progressed from the original position, thereby giving the impression of motion that accomplishes little. One theory is that the tarantella dance receives its name from the tarantula spider, a reference to the rapid leg motion the spider makes in order to mesmerize its victim before killing it.

Dança Amorosa

Another possibility is that the name of the dance comes from its place of origin, the city of Taranto in southern Italy. From all accounts it would seem to involve rapid foot and leg motion while the dancer remains in one spot. When mentioned in accounts during the late Middle Ages it is usually set in southern Italy, and it is sometimes associated with hysterical dancing. There are a number of references to dances in pairs, generally referred to as dance and after-dance, although few details are ever given.

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