Adult Struggles: A Poem & Monologue
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Everything I do is stitched with its color. I went down to the river, I set down on the bank.
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I came up once and hollered! I came up twice and cried! I took the elevator Sixteen floors above the ground. I thought about my baby And thought I would jump down.
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I stood there and I hollered! I stood there and I cried! Did you hear about the rose that grew from a crack in the concrete?
And did you get what you wanted from this life, even so? The poem reveals how syntax—the way words are structured to form phrases and sentences—fills our heads with ideas about meaning, even the meaning of nonsense words, as in this from the first stanza, which also serves as the last: In three powerful stanzas, Whitman catalogs the ways in which war obliterates peaceful domesticity, civil society, and even the restfulness of death. This text presents a number of interesting challenges for the performer.
How does the speaker feel about women by the end of the poem? In this poem there are slave ships. She was transported to Boston because she was too frail to be of practical use in the physically demanding sugar plantations of the South. Why is it not in every canon? Did you hear about the rose that grew from a crack in the concrete? Sitting in a circle around a table outside of a southern hotel this fall, I played and lost several games of spades with black writers I love.
Paying special attention to the actors and what they say will highlight the emotional dramas, which are expressed in a series of ironic commands and rhetorical questions. The last line in each of these stanzas suggests the question How would you say that aloud? As part of the sentence, however, it must be spoken as a command.
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Thus, part of the difficulty of this performance is negotiating the irony of these speech acts. The powerful cadence of this series of iconic images and the onomatopoeic devices gathers enormous weight in performance. Eliot What can imagery combined with sound devices tell us?
Who can forget the beauty and sadness of the rhymes that bind Prufrock in his isolated world? This interior monologue is a perfect choice for solo or group performance.
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Like many of the poems on the list, this piece would be great for a group performance. Ferlinghetti weaves biblical, mythological, literary, and historical allusions into a litany against tyranny and cultural hegemony. How might these allusions be brought to bear on the text?
The growing anxiety of this speaker cries out for a human voice as much as the text cries out for hyperlinks. The drama of this poem lies in the shifting emotional tone created by the juxtaposition of paired images. The challenge of performing this poem lies in bringing these word-pictures to life.
The concrete sense of place, however, offers the opportunity to bring a physicality to this imagery. In this poem, Kenyon captures the conflict between the comfort and the anxiety of death in startling ways.
But approaching a poem as a script for an oral performance demands that Struggling with the challenge of how to vocalize this poem with the. Browse more than poems by contemporary and classic poets.
These are the most important questions a performer must ask when tackling this text. Embodying the speaker requires a firm answer. But the uncertainty with which the speaker struggles is at the core of this poem about the dangers of unquestioning belief. What is the purpose of this interrogation, explanation, or accusation?