Contents:
Tarantelle for Flute, Clarinet and Piano, op.
Suite in the Old Style for Violin and Piano. Sonata for Cello and Piano, op.
Keyboard Sonata in G minor, K (Scarlatti, Domenico) Genre Categories, Sonatas; For keyboard; Scores featuring keyboard soloists; [4 more ]For 1 player . Sonata in G minor, K - Scarlatti: Sonata In G Minor, K Trevor Pinnock. Play on TIDAL. or open in our Desktop app. Share.
Piano Quintet in E flat major, op. Piano Quartet in A minor, op. Trio from "Histoire du soldat" for Clarinet, Violin and Piano.
Sonata for Violin and Piano, op. Piano Trio in A minor, op.
Piano Quintett in C minor. Sonata for Viola and Piano Aaron Copland: Piano Trio "Vitebsk" Claude Debussy: Sonata for Violin and Piano Gustav Jenner: Pieces for Violin and Piano Franz Liszt: Paganini-Variations for 2 Pianos Gustav Mahler: Non son cattivo comico.
Le nozze di Figaro, K. Barry Tuckwell, English Chamber Orchestra. Fantasia in D Minor, K. Idomeneo, re di Creta, K. Wiener Philharmoniker, John Pritchard. Original version, Vienna London Philharmonic Orchestra, Georg Solti. Komm, lieber Mai, K. Elly Ameling, Dalton Baldwin. Serenade In D Major, K. Rondeau Allegro ma non troppo. Michael Laird, Academy of St.
Bernhard Flies - Wiegenlied previously attributed to Mozart. Flute Quartet in D, K.
Carol Wincenc, Emerson String Quartet. Szymon Goldberg, Radu Lupu. Rondeau Tempo di minuetto. Serenade in D Major, K. Iona Brown, Academy of St.
Divertimento in D Major, K. Menuetto - Trio - Menuetto. Three German Dances, K. Chicago Symphony Orchestra, Georg Solti. Serenata notturna in D Major, K. Divertimento In F Major, K. Ein musikalischer Spass, K. Les petits riens, K. A final, fragmentary statement of the subject and full chords bring the fugue to a close. Adagio and Fugue in C minor, K. The fugue was originally composed for keyboard duet in , a period during which Mozart was greatly interested in studying and learning from the contrapuntal techniques of Bach and Handel. In , Mozart arranged this austere fugue for strings, prefacing it with what he termed in his thematic catalog "a brief Adagio" whose profundity belies its comparative brevity.
In its two-part structure, the work belongs to the tradition of Viennese church music. Why Mozart returned to his earlier fugue is not clear, and no practical purpose for the new work is known. It is worth, however, pointing out that the summer of was also when Mozart composed his three great final symphonies, No.
Courtesy of International Music Foundation.
Sonata for Horn and Piano, op. The Classics at the Movies: Rondeau Allegro ma non troppo. Sonata for Cello and Piano in D major. Non Temer, amato bene. Trio for Clarinet, Viola and Piano.