Creative Chord Substitution for Jazz Guitar: Learn Unlimited Ways to Harmonize Melody Lines and Prog
Contents:
Select this name and replace it with " Music box ". In the bottom of the window are two lists for selecting the instrument sound. The left one contains the sound set sounds are organized by theme. Click on " Chromatic percussion ". In the right list are the names of sounds in this group. Select " Music Box ". Play your melody again. We are now going to resize the screen area reserved for the top staff. Click on the horizontal red line below the staff configuration icons in the staff margin and drag the cursor down.
The space allotted to the first staff is enlarged, and the second staff bass clef is shifted down. When you think that the allocated space is wide enough, release the mouse button try, however, to have both staves visible on screen. You will have noticed that the treble staff remained at the top of its area.
To center it, drag the lower red triangle down. The staff is then repositioned within its enlarged space. G, C and E. Then drop a C above this note. The C appears in the same column as the G: Then place an E two leger lines above the topmost line of the staff , also in the same chord. Your chord is complete. In the third bar , place an F major chord , made of A, C as above and F.
Next place a C major chord , identical to those in the first bar. The third bar is complete. In the fourth and last bar , place a D minor chord , made of A, D and F. Then select a quarter note duration.
At present, the chosen instrument is called Bass. To the right of the instrument name, click on the downward-pointing gray arrow to open a menu. The list of instruments already created opens. Select " New instrument ". Give a name to your new instrument. Call it " String Ensemble ". You have just created a new instrument with a new sound.
Play your tune to try the new instrument. Switching to user mode. When opening a SF2 file, a dialog box lets you choose one or more samples for the current instrument. For more information about how to create and manage user digital sounds, read the Predefined user instruments chapter. Click where you want the text to be inserted.
By far the most important developmental form in Western classical music is Sonata form. By all means, soak up as much as you can re: Composers and songwriters who present their own music are interpreting their songs, just as much as those who perform the music of others. Classical instrumental melodies tended to be almost voicelike and singable. Many leading important composers came from the Netherlands, Belgium, and northern France. Musicology , the academic study of the subject of music, is studied in universities and music conservatories.
A window opens and you can type in the desired text and select its color, font, size and style. You can drag the text frame, resize it by dragging its bottom-right corner or edit it again double-click. To place a graphic , the operation is more or less the same. Select " Graphics " the icon with a square, circle and triangle and click where you want your graphic to be inserted. In the window, select the shape to be inserted by using the horizontal scroll bar for example, the ribbon as well as its color green and confirm.
The chosen graphic appears at the desired place.
Navigation menu
A print preview appears and you can see what the printed page will look like. By clicking the "Options" button, you can then choose what you want to be printed. Check Print infos on first page and deselect the other options. Finally, on the list at the bottom, ensure that your two staves Main and Bass are marked with a little printer icon.
Introduction
OK this box and select your usual printer settings. Then click on " Print page ". With an unregistered version of Melody Assistant , you can print, but a message will remind you to register for a modest sum if you enjoy this software. Of course, this message will disappear as soon as your copy is registered. At the top of your main window the ruler gray bar indicates bar numbers. When you point to the line in the ruler separating two bars , the cursor changes.
By dragging this line , you can change the width of the individual bar. Select more than one measure by clicking on the ruler and change the size of one measure in the selection. This size will be applied to all the selected bars. Select an object or a group of objects to which actions will be collectively applied.
To play the clicked note or the selected note group. Increase or decrease the score display scale. To select settings for objects that will be inserted or modified on score. Content of these strips depends on the selected tool in the Edit tools strip. Hover the mouse pointer over these icons to read their description in the help line. These mini-tools perform actions to currently selected objects on score, or to the clipboard. Icons in this section change according to the context what is selected, what has been copied to the clipboard.
This section of the manual deals with the graphical appearance of the document. Several kinds of notation will be mentioned, as well as special kinds of staves: Then, the miscellaneous music symbols that can be related to a staff will be reviewed: A dedicated chapter will describe in detail the text objects related to staves: Lastly, we will study the free objects and the other tools that help you to improve the score appearance.
We are now going to review the basics. If you are already familiar with musical theory and vocabulary, you can skip this chapter. On each staff, notes can be placed.
A note defines the sound to be played at a given time by the instrument of the staff. Notes can be placed on or between the lines. Thus, the staff's horizontal axis defines a time scale, passing from left to right. If you place two notes in the same column, they will be played at the same time. This is called a chord. Standard note lengths are predefined in musical notation, each one being twice as long as the next. Each quarter note is equal to two eighth notes or quavers: Staves are divided into bars , separated by vertical lines placed regularly on the staff.
Bars split staves into regular intervals. The bass clef symbol is:.
These indicate the time signature , i. Thus the length of the bar is a whole note or two half notes. The upper number expresses the number of beats in a bar.
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The lower number expresses the length of these beats in fractions of a whole note. A chord is always related to a scale and is made of at least three notes: A ghost rest graphically shows the time remaining in a bar. You can transform ghosts rests to rests by using the staff menu black triangle in the staff margin , option "Change ghost rests to rests". The first inversion shifts the root to the next octave. The third then becomes the bass note of the chord. The second inversion shifts the root and the third to the next octave. The fifth then becomes the bass note of the chord.
The same principle can be applied for the third and fourth inversions of course, these inversions only make sense if the chord has four or five notes. C E G Bb 1st inversion: E G Bb C 2nd inversion: G Bb C E 3rd inversion: It is also possible to make a lower inversion , i. For more information, refer to the Key signature chapter. If you are using Harmony Assistant, see also the modal array in the Frequently Asked Questions chapter. This series of notes forms an ascending scale of sounds from bass to treble.
An octave is the distance between two notes with the same name in two consecutive series.
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The vertical position of the note on the staff indicates which degree of the scale defined by the key signature corresponds to the note. If the note is preceded by the sign sharp , the note value is raised by one semitone, as are any other notes of the same degree in the bar. If the note is preceded by the b sign flat , the note value is lowered by one semitone, as are any other notes of the same degree in the bar. No professional foreknowledge is needed to exploit this publication to liven up your event with track know-how.
Even musicians with out earlier programming talents can learn how to complement their classes with interactive educational instruments, to boost adaptive tools to assist in composition and function actions, and to create dimension instruments with which to behavior research.
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