Contents:
Let the secret die.
Diapason Press, Utrecht, The Definitive Guide to Classical Music. Forkel reports that Bach tuned his own harpsichords and clavichords and found other people's tunings unsatisfactory; his own allowed him to play in all keys and to modulate into distant keys almost without the listeners noticing it. As of , over recordings have been documented, [51] including the above keyboard instruments as well as transcriptions for ensembles and also synthesizers. The well-tempered Clavier, or Preludes and Fugues through all the tones and semitones, both as regards the tertiam majorem or Ut Re Mi [i. Prelude as a theme with variations. It was in fact written in —50, and in imitation of Bach's example.
The curtain at the window gave a guilty little twitch. Stars, moon, and gunshots.
Should you seek combat from us, you will learn to your cost that two-score giants are not blithely beaten.